Showing posts with label Repetition as Technique. Show all posts
Showing posts with label Repetition as Technique. Show all posts

Monday, December 7, 2009

Brett's Influence Over Jake's Nattation

O'Sullivan, Sibbie. "Love and Friendship/Man and Woman in The Sun Also Rises". Ernest Hemingway Seven Decades of Criticism. Ed. Linda Wagner-Martin. East Lansing: Michigan State UP, 1998. 61-79. Print.

O’Sullivan’s article emphasizes the relationship between Jake Barnes and Brett Ashley. She brings attention to the significance that Brett has on Jake’s daily life and behaviors. She offers the perspective that these feelings Jake has are subconsciously expressed in Jake’s narrative technique due to his deep adoration and love of Brett Ashley.In this article, O’Sullivan wants people to keep in mind how strong the power of love can be. She reminds the reader several times that women such as Brett have profound effects on narrators and authors alike. Her point of view is one with a deep and profound beliefe in love as the ultimate power force.

O’Sullivan writes, “They are in love with each other but because of Jake’s wound that love cannot be sexually fulfilled. They have tried making love but failed: ‘I don’t want to go through that hell again’ (26). ‘Love is hell on earth,’ but they continue to see each other. There is a sense of things being out of control; at the end of the taxi ride Brett is shaky, and later when Jake returns alone to his apartment he cries himself to sleep. When Jake leaves, Brett is at another bar in the company of another man.” This statement draws a connection between Brett and her influence on Jake as a narrator. Several times throughout the novel, Jake repeats himself when speaking of Brett Ashley, the most notable of which occurs when he is “damning” her. Brett, like the sun, comes and goes like clockwork. It is as if her presence is the light in Jake’s life and the night (or the darkness) is when she leaves again. It is no coincidence that the plot begins with her presence at the dance, goes dormant when she goes out of town to San Sebastian (as evidenced by part II in the book), and then picks up again with her arrival in Pamplona. When Brett is around, Jake feels alive and awake, with her absence though, Jake takes a considerably different tone.O’Sullivan also points out that both Brett and Jake have deviated from typical sex and gender roles. Brett seeks out and enjoys the freedom to sleep with whomever she pleases, while Jake craves monogamy and stability. This is significant because it allows for thought as to a possible motive for Jakes technique. Is Jake trying to prove or explain his manhood through the text? Is his wording and the way in which he shares his experiences designed to make him appear more masculine than he really is? O’Sullivan makes a valid point that Jake’s narrative technique is altered and influenced by Brett because the connection the pseudo lovers have is overwhelming. She also wants to reveal that Jake cannot help but consider the feelings of the woman he loves while writing, thus his technique is changed in order to please Brett.

What Jake's Repetition Reveals

Budick, E. Miller. "'The Sun Also Rises': Hemingway and the Art of Repetition." University of Toronto Quarterly, 56. 2 (1986): 319-337. Print.

What Budick is attempting to convey with this article is the connection and overwhelming symbolism of the epigraph within the novel.This article helped shed light on how the Allusion to Ecclesiastes guides Jakes narrative technique in several ways as well. Budick wants to show the reader that Ecclesiastes 1:5 is almost entirely based on the idea of repetition and human error. It become obvious that Budick himself is very appreciative of both the bible and Hemingway's usage of it. The overall message of the article is that the sun will rise again, no matter what. The sun will rise as will it set and no matter how many things in life, or in time change, some things will remain constant.

Thus, the sun could be perceived as a symbol of ultimate dependability. Surprisingly enough, the article attempts to answer the afore mentioned question and does an adequate job of allowing the reader to understand the relationship and the feelings that Hemingway held about Ecclesiastes. Knowing that Hemingway viewed Ecclesiastes as being about fullness rather than fulfillment helps guide the readers understanding of Jake’s narrative. Although Jake had everything he needed to live his life, he felt unfulfilled and was unable to fulfill the ultimate purpose of a marriage, which in this case would be reproduction. In this way, Budick’s writing suggests that the title is of a pessimistic nature. Jake goes on living with his impotence because simply being impotent is not a cause of death, but to him is a life sentence. Every day the sun rises and every day the sun brings something new, yet in Jake’s eyes, all remains the same.Budick also provides further understanding of the meaning behind the epigraph by stating, "It assures us that the sun also rises, the earth endures forever. This fact of earthly richness, of fertile and regenerative repetition, functions as a compensation for life’s endless futility. Furthermore, by reflecting and commenting on the pattern of endless cycling and recycling, by registering and interpreting this cycling, the text makes it available to human consciousness as a confirmation of its own potential growth and development.”This statement suggests that children too are a form of repetition. They are raised the way their parents want them to be, as slightly better forms of themselves. When thinking of regeneration in that sense, it does seem to be futile or in vain. However, the article is not trying to portray Jake as a vain narrator, but more as a person who longs to feel masculine. Over and over again, just like the sun, Jake repeats himself; his words, his thoughts, his feelings and his actions. Jake is condemned to a life that he is displeased with. He must accept that until he can change his view on life, the sun will just keep rising and setting; only finalizing his pointless existence.